Tuesday, March 31

Au fond de la mer

Avec la fluidité retrouvée dans les dernières créations, opposée à l'idée du parfum "raréfié" (l'air sépare, l'eau est un liant) la parfumerie retrouve un symbole très ancien. La mer qui coagula l'essence de la vie et donna la métaphore de la beauté - Vénus /Aphrodite. Le tableau de Botticelli qui dépeint la naissance de la déesse nous plonge dans un univers richement décoré par des allusions olfactives. Les fleurs et leur déesse la nymphe Chloris, le Zéphyr qui ramène de loin les embruns salés, la coquille, Heure la déesse du printemps, la mer, des arbres, un roseau et finalement l'odeur de la femme dans une atmosphère calme d'eau et écume.
Le premier parfum à s'inspirer de l'univers de la mer a été probablement Antinéa de Rosine (Paul Poiret) mais ce n'est que vers les années 60 que la note marine entre dans la parfumerie. On a tout d'abord des recherches menées par Roure sur l'odeur des algues, puis des absolues algues, fucus, embruns marins. Des produits naturels et des bases. Des notes comme l'Aldéhyde Mer, Hélional, Calone ou Lilial et aldéhyde Cyclamen commencent à être utilisées d'une manière très timide. La fraîcheur marine et la brise salée on les associaient tout d'abord à des structures lilas, jacinthe (avec les nouveaux acétales) et muguet.
La représentation de la note marine a connu une longue gestation car les différentes époques ont perçu la mer avec une grande diversité. La teinture d'ambre gris et puis les molécules isolées de l'ambre ont suggéré le long voyage à travers les vagues (l'ambre ne serait elle la sueur de la déesse? l'odeur des cheveux dorés captive dans les bulles de l'écume?) . Eau de Merveilles est plutôt un ambré et moins un oriental - un élixir de mer profonde. La teinture de mousse de chêne et les algues ont été le motif suivant de cette représentation dans laquelle l'odeur iodée devint le symbole marin. Après on a commencé à regarder autour de la mer. Les herbes séchées, le thym et le sel, la brise salée, le sel cristalisé sur le rochers. On est dans les dunes et dans la mer tendre qui devient un air balsamique et végétal. La mer embaume! C'est un peu Dune (Dior) mais aussi les autres parfums qui mêlent l'esprit oriental non sucré et la note aromatique - laurier, thym, sauge. C'est aussi la représentation du sel à travers des notes vétiver ou herbacées comme celle de Miller Harris. Dans les années 90 la mer est devenue eau, eau salée et Calone à profusion. La mer était l'huître, la coquille de Vénus qui devient masculine pour Kenzo. La coquille renferme le Male. La secretion du principe feminin qui jadis donna naissance à la perle, devient principe masculin et secrétion magnifique. La mer est absorbée par l'homme puis mise en liberté. Calone, Azurone et les autres composés analogues sont venus à représenter la mer. Une décennie d'inondation et de clarté. Par souci de précision, des scientifiques de Quest ou Givaudan ont commencé à explorer les odeurs vraies de la mer, de l'océan et même des plantes en profondeurs. Le GC! On en tira certaines bases utilisées parfois dans des créations moins créatives. Puis Givaudan créa le Bloom représentation imaginaires d'une fleur des profondeurs, à la fois ozonique, marine et minérale. La mer revient après une marée fruitée mais la nouvelle vague est moins marine. C'est une note froide des profondeurs qui pétille les herbes et les épices tel Burberry Beat for Men ou Pucci l'aquatique.
Pourtant la naissance de Vénus de Botticelli est encore loin d'être achevée. On a peint les détails au cours de l'histoire tel un herbier de sensations olfactives. La mer de l'Embarquement pour Cythère, la mer exotique et imaginaire des fleurs rares macérées dans le rhum, la mer tourmentée sous le Radeau de Méduse ou même la mer entre Scylla et Charybde. La mer est un concept bien plus profond que le simple usage de la Calone.

Des molécules à connotation marine ou aqueuse: Aphermate (IFF), Aquanal (Quest), Azuril (IFF), Cyclemone A (IFF), Empetal (Quest), Floralozone (IFF), Frescile (Quest), Geraldehyde (IFF), Lemonile (Givaudan), Melonal (Givaudan), Nerol, Ocymene Epoxyde, Ozonil, Scentenal (Firmenich), etc.
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Cosmetics Database

I came across this website and I was shocked how safety is used for other purposes than safety. When paranoia is combined with incomplete or misused information or ... the lack of any scientific background it's an atomic bomb!
If you have no scientific background you might be worried reading the fragrance section of the website and the scores given to several products. From low hazard (0) to high risk (10). But very soon I noticed that it's not about information and safety but about manipulation.

One example:
The product "HEALING-SCENTS LEMONGRASS-TANGERINE BODY MIST" is given 0 - low hazard.
But with if you read the list of ingredients of this non european product you can see: tangerine oil, lemon grass oil, clovebud oil, nutmeg oil.
If your concern is safety as this association pretends... it's rather strange that this concoction of citral, eugenol, isoeugenol, methyl eugenol, limonene, linalool .... is O hazard when other products, labelled according to UE legislation are considered 10 - high hazard. It is the case of Acqua Allegoria Orange Magnifica, a product similar, at least at the level of allergens and other so called safety problems (citrus and spicy).
Other examples like this, based only on the information given on the website, shows how un reliable the scores are, at least for the fragrances.
The safety of the consumer is not allways the final goal... sometime c'est juste un prétexte.
As a consumer, if my real concern was the safety of my products, I would have chosen the Lemongrass - Tangerine body mist in stead of Acqua Allegoria. But in the end.... I'm not safe at all. Au contraire!
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From Lauder to Bulgari

Two major launches for two major fragrance brands ... but one single accord.
Sensuous (Estée Lauder) and Jasmin Noir (Bulgari). Both are complex and good perfumes. Sensuous is not one fragrance but at least 3 in one and the evolution of the blotter 4 days after is interesting to show the complex and operatic composition. But the blotter after 4 days shows something else. What is the evaporation end in Sensous became magnified in Jasmin Noir as if Bulgari was a part of Sensous. And that idea can also be seen as an accord extracted from that heavy perfume called Black Orchid. Heavy on ambroxan, lactones and many other strong molecules.
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Monday, March 30

New fragrance in 2009: Thoughts on several new perfumes & their short critical review

Last week I was traveling across Europe and this was a good occasion to discover and sample several new fragrances available on airports.

Infusion Fleur d'Oranger (Prada) Very neroli-petitgrain perfume, different from the cologne type (still with a strong linalil acetate effect) and with a vintage feeling. In fact it smells like a very light and contemporary l'Heure Bleue version with a delicate sweet pea-honeysuckle note à l'ancienne. It has a light orris note, but not regular orris and more Infusion d'Iris accord. It also uses jasmine sambac (a lot of methyl anthranilate). Not so close to the Prada Orange Flower, from their exclusive line.
Brasil Dream (Estée Lauder) a original concept not very fruity (small papaya-guava, but really small) and top but more woody-ambery-airy floral based on patchouli. It has a modern rose note (Aromatics effect), a curious camphor like note on top and chamomile. It is a dry wood combined with a white sensual flower (gardenia and transparent jasmine), reminiscent of Donna Karan Gold, with a lovely apricot lactonic note on the drydown.
Eau par Kenzo Eau Indigo pour femme - Very delicate and strange perfume, floral heliotropine, light and sensual with a very soft orange flower note, violet and just a hint of cologne fruity accord and a light KenzoAmour note. The orange flower is "obtained" through several oils that already contain a great percentage of methyl anthranilate & co notes. The drydown is soft, ambery, sandal wood milky and musky. The drydown is a very well known accord of 4 molecules. Official notes: bergamot, mandarine, jasmin sambac absolute, orange flower absolute, ylang-ylang, tonka, amber. There is also a Eau par Kenzo Eau Indigo pour homme, very contrasted (sparkling and sensual) with ginger, lemon, coriander, elemi, vetiver, cedar, amber - labdanum and sweet - tonka.
Lacoste pour Femme Collection Voyage - copy of J'adore, but rosy and green
DKNY Be Delicious Fresh Blossom - a floral green version of the perfume, less complicated, with an Escape like effect (rose oxyde note) and bitter fruity on top (grape fruit).
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Sunday, March 29

Jean Paul Gaultier wears ...

In a recent interview published in Le Figaro:
"J'ai toujours eu un faible pour le Vétiver de Carven, qui me paraît plus facile et plus populaire que celui de Guerlain. En général, c'est en sentant un parfum sur quelqu'un que j'ai envie de le porter. Comme avec Giorgio Beverly Hills, que mettait Boy George, ou ce Tea Rose de Perfumers Workshop que j'ai senti sur une femme et que j'ai adopté sans complexe. Comme dans la mode, les notions de masculinité et de féminité dans le parfum ne sont pas claires."
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Friday, March 27

Scentsory Design

From the new academic journal Fashion Practice ... an interesting article about a different approach in fashion design.
"In this article, the known affective potential of the sense of smell is discussed, by introducing “Aroma-Chology” as a tool that is worn as an emotional support system to create a personal “scent bubble” around the body, with the capacity to regulate mood, physiological and psychological state, and improve self-confidence in social situations. The clothing formulates a “healing platform” around the end user by creating novel olfactory experiences in textiles that are not as passive as current capsulated capsule systems."

"What makes this novel from existing fragrance delivery methods (such as the traditional perfume bottle) is that it offers a revolutionary way to get fragrance to the right place at the right time. It offers the end user a “mood fragrancing” experience depending on personal needs, by automatically dispensing an atomized burst of fragrance, when triggered from a switch, timer or external stimulus (i.e. biometric sensor for emotional stress response). Just as people store different genres of music in their iPod, this method offers a new sensory system to collect and store a selection of fragrances close to the body; a modern “iPod of the Fragrance Industry” embedded in fashion."

Fashion Practice: The Journal of Design, Creative Process & the Fashion Industry, Volume 1, Number 1, 2009
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Thursday, March 26

The secret Nose

In the late 80's the name of the perfumer, with few exceptions, was something tabu in France. A 5 page article published in 1986 and named "Les Parfums s'affichent, les Nez se cachent" was trying to unveil some secrets about the real creators. It took 20 years to luxury french brands to wake up from their mystification (but we still live in a fabricated reality). Reading the article now, it's a good lesson about the relation between brands and feminine press. It was a time when the real creator of the bestseller called l'Air du temps was unknown and secretly guarded.
"Bien sûr que M. Robert Ricci est un nez, c'est bien lui qui a créé tous nos parfums," …me soutiennent mordicus plusieurs responsables de la maison Ricci qui ne font pas dans la nuance."
It was still a time when YSL house refused to unveil the identity of the creator of Opium, symbol of the perfect symbiosis between designer and fragrance. "Opium, pour les femmes qui s'adonnent à YSL".
20 years after, the same house, presented on youtube an interview with the creators of ELLE in their lab at Firmenich. Also, the real YSL was no more behind any decision of the beauty or fashion division.
One of the member of SFP speaking about their recent plaquette indicating several authors of classic creations was quoted in the same article: "Nous n'avons donné que des noms de nez morts et je vous déconseille d'en faire autant avec les vivants, si vous voulez leur éviter des ennuis."
Don't speak about modern perfumers, they might be in trouble because of that.
Of course there were several exceptions of official perfumers like Jean Paul Guerlain and Jacques Polge.
It was also the time when Estée Lauder wrote her autobiography as an answer to a recent unofficial biography that made quite a scandal. She detailed how she created all her perfumes, with no help and mixing bottles… and this on more than 10 pages.
This attitude had also a side effect. Because it was too secret and people changed too often in the fragrance houses …. several brands lost a part of their history. Ask them about the creators of…some pre 1970 perfumes and they will be unabble to tell you. Ask them a description of some old classic and they will not be abble to tell you.
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Wednesday, March 25

Leather is in town! YES

2009 can already be thought as a victory for the leather note. With the new Axe Essence, leather entered the mass market huge domain. The note is strong, very macho, and much in the spirit of leather notes in Etat libre d'orange creations, with a small mousse de saxe twist. And one thing is sure, when a note finds general acceptance among the public via mass market / personal care products it will generate more demand in the upper domain.
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New fragrance in 2009: Thoughts on (other) new perfumes & short critical reviews

Flora (Gucci) basic shampoo note with a touch of fruit, less expensive than Elsève.
Essence (Narciso Rodriguez) the ultimate clean note with no reference to age and sex. A luxury soap impression (fresh peony-lily of the valley - lily) surrounded by a huge cloud of powdery musks and sparkling aldehydes and a small pepper on top. Plus a touch of incense-woody note and benzoin. It is the platinum standard of fresh sensuality in a magnificent modern bottle, and gives a new life to the accord of Pleasures (Estée Lauder). It is also related to another new launch, Une goutte de nuage (Issey Miyake). More on Essence was written by Elisabeth de Feydeau.
Guerlain Acqua Allegoria Tiaré Mimosa - a very fresh flanker of Amarige (Givenchy) or the new harvest of Amarige this time done by the Guerlain Imperial Bee. It is a cross pollination because before, the bee was inside the Champs Elysées mimosa via the very trendy jasmin sambac. Is it an homage to Dominique Ropion?
Guerlain Acqua Allegoria Cherry Blossom - a fresh version of the classic Cherry blossom, now disappeared from Parisian shelves (with all its flankers). The juice is more colored but the fragrance is green tea - citrus and NOT fruity.
Mon Nectar Précieux - The Imperial Guerlain Bee is real. I saw it everywhere last Christmas (beautiful decoration) and it seems to be the new leitmotiv of Guerlain. This bee is visiting all Guerlain new perfumes, seduced by several notes and it is logic to think that in the near future she will produce some delicious honey. This bee is also responsible for the common notes in Guerlain perfumes in the past 3 years. Now I understand why I find similar facets in many perfumes. This time, "Mon nectar precieux" seems to be the essence or the "seduction principle" found in those creations. I can smell l'Instant and l'Instant Magique, Angelique Noire, the drydown of Cruel Gardenia, the notes from Les Elixirs Charnels. Almond, orange flower, sandalwood, powdery muscs, vanilla, a hint of caramel (ethyl maltol and maybe furaneol), crystalline amber. There is nothing characteristic inside this perfume but rather a conclusion. Maybe the name is right and it is the new concept of guerlinade, based on modern ingredients. Guerlain flowers gave us their "black" fruit this springtime, now we have the nectar…. I can't wait to taste the honey! (and maybe later the honey, the fruit and the orange flower petals will produce an oriental dessert). A more detailed review was written on graindemusc.
Pucci - The new trio of fragrances, though fresh and light, are exceptional. All 3 show some very new notes and interesting combinations. You remember maybe the 2 Etat Libre d'Orange perfumes - "Secretions Magnifiques" and "Don't get me wrong baby, I don't swallow!". One Pucci has the answer - Yes, we can. Secretions goes mainstream and that's a daring project.
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Thursday, March 19

Palais Royal



Yesterday at noon at Palais Royal. Heaven on earth!
Other flowers I enjoyed today:
Clematis (with a strong sweet acetophenone note), Daphné odora, french jasmine (very sweet fruity apricot/plum marmelade), viola odorata (very strong note of the leaves, the flowers were not opened yet).
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Tuesday, March 17

Rose distillation

Rose oil distillation in Bulgaria, cca 1910.
Bulgarian rose oil is a quintessential note in Chanel No5 extrait, Joy extrait and the former Arpège (Lanvin).
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Royal perfumes

In 1857 the Queen of Wurtenberg was wearing Guerlain - Véritable Esprit de Midi and in 1861 the Prince of Fürstenberg was using from the same Guerlain, Triple Extrait Portugal and Pommade de l'Impératrice à la Violette (for the lady) - it can be seen on two original bills / letters at Musée Galliera.
Already 2 elements quintessential to the tradition of the parisian perfumer - the aromatic bouquet and the violet. The first one is best represented by Sous le Vent, which despite the clasification chypre leather, was considered by many as a "parfum rustique / agreste". The second is represented in many perfumes created at the end of XIXth century but the most famous is Après l'ondée extrait, a cassie-violet-orris-aubépine masterpiece, now discontinued because of IFRA (and not only, but there is still a diluted EDT on sale).
What are the modern perfumes of royal perfumes? I don't have a precise idea yet.
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Monday, March 16

Quant Theory

An interview with Mary Quant in Evening Star, april 1967:
The trouble with men is that they don't smell any more... The most attractive smell in the world is the new hot sweat - it's old sweat that's unattractive...What you want is a clean man, but the clean smell should go off completely so that you're left with the real smell of the man beneath."

That clean note came in about several years - the new musk :)
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Edible notes

A quote from perfumer Marcel Billot, technical director of Houbigant for many years (60's):
"Fruity perfumes with a dominant fruity note have never been able to be used alone, because they become "edible" and induce salivation; in this respect a rather disagreeably differentiated sensation. "
Today the fruity note is as important as the flower. If classical perfumery grew all type of flowers in their bouquets, after a period of strong animalic (sexual) notes, those flowers gave birth to a multitude of fruits. It's rather symbolic in the cycle of life (if we consider current state of perfumery as the stage of maturity). But usually at the end of the cycle is death and decay if not rebirth if you believe in the press release of one sandalwood Guerlain. How will smell the next age of perfumes? A subject to meditate in the context of the myth of Chronoss (the "devoration" of its own roots and products via IFRA).
With the new combination of incense+ozone, seen mostly in the masculine launches, or with the florals that are again more airy ... do we go to Heaven?
One of the effects that I often notice in Jean Claude Ellena's perfumes is ... the bitter/sour note (opposed to the sweet). Think Kelly Calèche and other perfumes with small grapefruit-fructone-vetiveril acetate notes. On a metaphoric level, this is the smell of the over rippen fruit, the rotten fruit when sugar will generate alcohol and acetic acid via fermentation.
Is it the end of the world as we know it?
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Friday, March 13

The Scent of Money

The latest issue of FauxQ (a very creative, unusual and daring magazine) is ... all about money (Argent) and a review written by Antigone Schilling describes the idea of silver (argent) and money (argent) in perfumery. But even more interesting are the texts written by Isabelle Doyen (an olfactory recreation of all type of money, coins, and french expressions) and Francis Kurkdjian. The perfumer recreates the odour of the dollar in a simple composition and explains the unusual raw material combinations he has chosen for the project done in the past with the artist Sophie Calle. One is an old quinoline, like those I described in the past (in my quinoline series). The magazine comes also with a "scented euro" (in a plastic bag) - an odor recreated by Mane. It is peppery, woody, salty cumin and grease. It's rather a perfume and not just a simple smell and I can see it worked as a masculine fragrance.
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New fragrance in 2009: Thoughts on new perfumes & critical short reviews

Caron Royal Oud - except the green color, it smells really delicious. A twist on Tabac Blond, less birch, less spicy and more ambery, sweet, delicate. Between Emeraude and Tabac Blond but I do not detect a real oud note.
Caron Oud - except the yellow green color, it smells quite interesting, but less caronesque. A white and yellow flowers bouquet (think narcisse, jonquille, genet, tuberose) with a small dose of lily of the valley on a very creamy sandalwood-oriental base. It has an unusual animalic note, a far cousin of Narcisse Noir and a spicy cinnamic touch. I do not detect a real oud note, but both perfumes are very rich in natural products and seem to come from a different time.
Burberry Beat Men - excellent ozonic-incense perfume with a soft leather touch. It smells huge, like a perfume without boundaries. Also it is a better perfume than Hugo Boss Pure Element (the latest, if I do not mistake the name), built on a similar idea. Mineral masculine.
L'Eau Miss Dior Chérie (Dior) - "lessive précieuse pour filles sans prétention". absolute no relation to the original perfume. a clean lily of the valley - bigarade (recycled Escale à Portofino) - honeysuckle and cotton musks. I wish I found the gardenia they speak about, but nooo way. It smells like an ode to all similar molecules to linalool. Green color like Chanel Chance but the pink is lighter, more pastel like that one in the latest Chanel fashion show.
Givenchy Vintage 2008 - very coloured juices about the same level of interest like last year
Amarige Ylang - is very animalic and very 80's white flower (nasty ylang-daffodil molecules that can beat any clean dream) but I prefer last year version
Ange ou Démon Jasmin Sambac - why does it smell like a flanker of Alien (Mugler)?
Organza Fleur d'oranger - very bad interpretation, I don't even recognize the perfume
Very Irrésistible Rose de Tuquie - not very interesting and the original seems a better version

Alien Sunessence (Mugler) - excellent interpretation with a floral honey note, almost sugary, and less cashmeran.
Angel Sunessence (Mugler) - excellent version that shows that Angel is not just "gourmand" but a complex perfume. This version is floral, less oriental and fruity. Not just a simple eau fraîche.
Guerlain Habit Rouge Extrait - excellent perfume, but rather feminine, without the spicy touch of the original. It seems like a classic fragrance from the 30's with a great tenacity and good ambery sillage. Shalimar under a different light.
Guerlain Terracotta Sous Le Vent - tiaré-ylang-very sweet, it is the classic monoï formula with a small guerlinade. It is a cosmetic product (eau bienfaisante) and it is related to Sun Goddess (Estée Lauder). The name evokes carribean islands and their white flowers, so no relation to Sous Le Vent.
Omnia jade (Bulgari) - The concept (visual + olfactory) is a twist on Infusion d'Iris (Prada). The fragrance is Omnia + a basic accord that was many years on the website of Firmenich to demonstrate a molecule (before they changed the site). Less than a week creative work for a brand that once was daring.
La Nuit de l'Homme (YSL) - Dior raised the level of coumarine-vetiver-woods in a perfume, Givenchy did the same... why shouldn't YSL do the same job?. The bottle looks like Dior Homme but round, the fragrace is very good, velvety woody sweet but hélas... it was already done by another big luxury group. Even the ad is similar to another 2 previous ads. YSL is dead. Why should bother YSL Fragrances to respect the master? The new bottle / packaging for Opium is hideous and I wouldn't be surprised to see Opium in 10 years having the same destiny as Tabu (from luxury to ultra cheap). Once, everybody was doing Yves Saint Laurent...Now, c'est un peu l'inverse. Dommage!
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Un Lys (Serge Lutens)

Today during a short shopping session at Bon Marché I found Un Lys - now in the export line, so a worldwide distribution. One of the most beautiful floral perfumes - lily with a balsamic drydown with a hint of vanilla. Near, Une Vanille Galante (Hermès) simply faded. But I still love both of them. Lys Méditeranné (Frederic Malle) is another jewel, but in a different direction - green with an extraordinary tuberose absolute note. Un lys has an exceptional tenacity - it stays hours and hours and gets better with time. A silky mood to start the spring in Paris.
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Wednesday, March 11

L'Oréal and Ebay

There is a constant pressure on selling luxury products online and I think that something will be done very soon in EU.
But today I read something new on Financial Times.

"Yesterday, the French perfumer launched a trademark infringement case in London's high court, accusing the auction site of selling goods, ranging from perfume to mascara, that were either counterfeit or sourced from outside the European Economic Area via its website. By failing to police fakes, Ebay was in effect acting in concert with the sellers of those goods, L'Oréal's lawyers argued. ....This inconsistency is increasing the pressure on the EU. Officials are about to consider whether rules giving manufacturers discretion over how they distribute their goods - and so exempt them from normal competition considerations - should be changed. A review is required before spring next year and lobbying is intense. Karl Lagerfeld, fashion designer, has even paid a visit to Neelie Kroes, EU competition commissioner."

Just to remind you that all that story of counterfeited products lead to strange things in France mostly - like restricted/blocked access on ebay and the fact that vintage perfumes cannot be found that easy. L'Oreal should invest more in honest products (fragrances that copy less) and reliable cosmetics with more decent claims.
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Sunday, March 8

New fragrance in 2009: Le Labo Oud 27

An unexpected fragrance, strange and weird. Animalic, dirty, deep and the opposite of mainstream easy to smell creations. In fact, it doesn't smell like the oud notes that are around (from Montale to Tom Ford) but that's easy to understand. Le labo delivers personal interpretations of what is written on the bottle. In this case it is the deep amber, labdanum and all related products that make this perfume special. Amber like Ambrarome and not like the sweet vanillic confections. It is a distant cousin with some labdanum perfumes from early 80's (Hermès and Chanel) and with Youth Dew Amber Nude and Aesop Mythra. If Eddie Roschi of Le Labo described it for l'express as the One Thousand and One Nights, bottled... it is indeed the smell of the night, dark, mysterious and with strange beasts around. Around the deep amber other notes create an oriental illusion - rose, plum, dry woods and dried fruits plus tobacco (havana like) and in the end some velvety woods and powdery musks.
After several hours and quicker on the skin, the musky woody note prevails. The dirty note becomes clean and fades. The night is over and Scherezade has to sleep. The beast is gone when the sun is up on the sky.
A must try for those who like strange perfumes of melted honey and liquid amber surrounded by that strange note called oud (few people know exactly how it smells).
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Friday, March 6

New fragrance in 2009: Mythique Parfums Delrae

With Mythique, Yann Vasnier writes a new page in the leather history creating a spectacular soft perfume and would deserve a new family called green leather - a soft suede Birkin with bambou, everything in a pastel green with milky shades. The leather note is that of soft suede, elegant and aristocratic by its pure details. But that kind of leather, already explored in Daim Blond, has something vegetal and immaculate. It suggests the white skin as depicted in french Renaissance paintings. All notes (orris, ambretolide, muscs, lily of the valley, peony, sandalwood) creates the illusion of a human skin , a fragrance that surrouds like a transparent veil without being a transparent fragrance. No contrasts, no classic structure, no top or drydown ... it is like the image of infinite. An infinite white leather that suggests the gloves so popular during the Renaissance or the idea of milk bath (but there is no milk inside).
If Beige (Chanel) is a flower made with pure silk, Mythique (Delrae) is made with the softest suede. But unlike flowers, there is no sex inside this mythical inspiration. C'est l'androgyne même.
A fragrance for a new soft sensation and an excellent masculine option for those that already like Dior Homme.
In terms of fashion it suggests the nude look. Put the fragrance and nothing else, just some white wings to fly across a field of white flowers.
Another beautiful DelRae perfume is Emotionelle - it could be a Rafael painting - "La Vierge aux mélons".
The perfume is at Bon Marché in Paris.
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Thursday, March 5

Tastes after WWI

I found a very interesting report of a former commercial agent of Heine&Co Leipzig, one of the biggest producer of aromachemicals/perfumes before WWII. He described with accuracy the tastes in the states that were part of Austria-Hungary in a long and documented paper.

"In perfumery tastes, Vienna likes the opposite to the flowery and sweet tendencies of the Slav World, the German liking for heavy notes and aromatics and odours such as oak moss, kashana, chypre and other flower compositions which were scarcely represented in the fashionable Vienna perfumes. These latter notes were considered as out of fashion, being somewhat vulgar in taste. [...] I have remarked that Vienna was at first a place for criticism of the fashion trends and from this angle their own choice was not as important as their critical evaluation of other creations."

Unfortunatelly today, we know little about the austrian production in perfumes and their criticism, and it is the same for other countries that lived in the shadow of Paris between the wars.
Khasana was a very popular german perfume before WWII that gave birth to a family, as chypre did.
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Monday, March 2

Why maltol is everywhere

I was surprised to learn that maltol is used in cosmetic products because it is believed to have sedative actions. It explains everything!Maybe fragrance brands think that we need to be calmed down... so take a raspberry and a maltol dose.

"The most widely studied of these constituents, maltol and ethymaltol, seem to be responsible for much of the anti-anxiety effects. In various research studies, maltol and ethymaltol have demonstrated central nervous system sedation (calming and relaxing), and at very high doses, anticonvulsant activity (decreased muscle spasms). "Passiflora.
Maybe fruity perfumes are popular within young audience because they are anxious or too excited.
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Salvador Dali and Helena Rubinstein

During the late 30's and 40's Salvador Dali had a prolific period that included fashion, costume and fragrance. He did several works for Helena Rubinstein one including the redecoration of her apartment. Except his Roy Soleil (Schiaparelli), his work into the beauty area is not yet well documented. In 1946 he did an experimental cartoon with Disney, called Destino. Now, look at this rare Helena Rubinstein bottle (from an auction several years ago) and then at the main idea in the Disney Cartoon. It was highly creative, difficult to produce, but art in a bottle. Like many other Helena Rubinstein original perfumes, nobody knows how they smelled in their first days (they went cheaper every decade) but it is a known fact that many were more expensive than Guerlain in USA.

This type of cartoon is the best form of advertising for fragrance and I think that it can be more inspiring than any modern stereotype.

There is a very interesting DVD called The Powder and the Glory about the story of two of the first highly successful women in american cosmetic industry, Elizabeth Arden and Helena Rubinstein, showing special footage from archives.
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The imperfect fragrance

Fragrance writing is imperfect, incorrect and sometime is not really about fragrance. More you try to be closer to a fragrance through words and speculations, far you will be from it. And it is not a human fault but something less complicate. In fact is has to do with mathematics and representations. If you have a system with N+1 dimensions and try to represent it within a system with N dimensions (or less) there will be more "approximations". Even more if those systems have very little in common. Does it sound weird?
In architecture the 3 dimensional real building is expressed through 2D drawings and more complicate is the construction, less easy is to understand the 2D projection. But they are both visual. In fact explaining architecture is better done not with words but with drawings and schemes. It has been teached like this in Architecture Schools and later it went into books.
Classical music is hard to understand if you do not have a minimum musical education. Writing on music was easy in the XIXth century when the public had already a music education through school and many practiced piano. Reading a text about Mozart might seem very intellectual without those basic notions (in fact the representation of the "rules" of the sound universe into letters area). But understanding music can be done much easy if somebody explains a piece of Mozart with a piano. Music by music.
Literature is by far the most privileged form of art because it shares the same medium with its criticism and thus can be easily understood and accepted by the public. You use the same bricks as the poet.

Thinking of fragrances, it is by far the most complicated universe. In fact we do not know how many dimensions it might have, if it has limits or not.
Fragrance is sense of imagination, said J.J. Rousseau. And the question is how can you transpose it into letters, if it is possible. This happens when a new fragrance is described or molecule, or even a vintage perfume. How much can you catch of it and transmit to a reader that has no access to that perfume for the moment.
I noticed something about the molecules. If I read the descriptors or the description of a new molecule, I might have an idea. But the image is incomplete and very inaccurate. When I smell that molecule within seconds I get the whole picture. All the descriptions are right but they are only a fraction of the scent. In fact, if you have only one 2D projection (and not all 3) of a 3D object … it can be anything.
Explaining fragrance and fragrance creation can be done only through smell. Cutting a perfume into pieces, main accords. Smelling the main ingredients or special ingredients. Putting the things together.

It is not enough that another fragrance is part of the same "cluster" that it can be thought as the inspiration. Sometime the effort to understand a new smell by finding analogies and put it into a "drawer" in our personal olfactory map can be the substitute for "filiations". If X and Y share a similar facet it doesn't always mean that X inspired X. Sometime perfumers arrive to similar "conclusions" (fragrance notes) from different and unintentional directions.
Fragrance criticism can be only a sparkle. Sometime it's easier for me to put the scent of a flower into a list of molecules (a formula) than into words.
The age of fragrance writing and the fragrance criticism is not now. It will happen when the public will have access to the same bricks as the perfumers and will be abble to smell the perfume in the same time while reading. When a "preview" of the fragrance will be able to be smelled on-line as it is for music.
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